About Odeon Collection

Our Story

In 2014, two friends decided they’d rather spend their lives hunting for extraordinary jewelry than doing anything sensible. They haven’t looked back.
You’ll find Benjamin and Hugo at the center of it — Benjamin, French, forged by New York’s great estate world, constitutionally incapable of walking past a beautiful piece without knowing its story. And Hugo, third generation, whose grandfather in Nice was already deep into Art Deco before Hugo could walk, whose father trained at the legendary Scuola Benvenuto Cellini in Italy, and who by now carries fifty years of family knowledge like it’s simply the way he sees.

What they built is Odeon. And it doesn’t look like anything else in the market, because it isn’t.
No mass buying. No streamlined inventory. No trends, ever. Just the quiet, obsessive, slightly mad pursuit of pieces that have something to say — a French poinçon pressed into gold in 1940s Paris, an Italian bracelet so beautifully made you wonder what century you’re in, an American piece that stops you cold for reasons you can’t immediately explain. That feeling is the whole point.
Like the great houses before them, they believe in excellence and refinement. The one of a kind is not a category here — it’s Tuesday .

Most of what they carry never makes it online. Their clients — the finest jewelry stores in the world, private collectors, and a certain kind of person who simply knows — see it first, in person, on Fifth Avenue. The website is a window into how they think. The collection is something else entirely.
Ask them anything. About a piece, a period, a hallmark, a hunch. They love this too much to be precious about it.

Come in. You’ll see.